Connection

SPRING 2022 ISSUE


Our social worlds are increasingly defined by divisions: separate identities, environments, experiences, and backgrounds.

‘Connection’ considers the elements that join us, globally and personally, in our journeys towards health and wellness. We're weaving stories together, connecting the dots between, and identifying areas of overlap and exchange. In this issue, we explore the interrelationship of the environment, animals, and humans; transnational social advocacy networks; advancements and implications of digital health; therapies that dissolve self and other; and single bonds, relationships, or moments of mutuality.

Image Credit: Sophie Buckely


Featured


Is the current public health workforce fit for purpose in a digital era?

Brian Li Han Wong discusses the progress made and challenges faced in improving the public health workforce through utilising digital health to train young professionals.

Missing data: who cares?

Joanna Hindley explores how missing data can both invalidate research findings and exacerbate existing inequalities.

Malaria and rice cultivation in sub-Saharan Africa: a paradox redefined?

With insight from Kallista Chan’s research, Charles explores new findings in research between the relationship of malaria transmission and rice cultivation in sub-Saharan Africa.


Culture


Illustrations by Grace Oh

Peter Park sits with Grace Oh, a digital artist who uses illustration to reflect and process life’s difficulties.

Essay and Opinion


Wellness


Reviews

A Brief Inquiry into Online Relationships

In an increasingly online world, how do we form meaningful relationships with others and reconcile our real world and digital personas? Gianmarco probes the cautionary themes exemplified in The 1975’s third studio album.

An evening with Mustafa: tales of love and loss one night in London

Community and catharsis come together in Mustafa the Poet’s debut album. Sarah Zaidi shares her personal reflection on his themes of grief and bereavement showcased in his live London performance in January.


Creative


Image credits: Unsplash